Lapsed Pacifist
Horror Movie Question Of The Day

gailsimone:

If you were in a dark village somewhere, lost, unsure of where you were…and you looked behind you, over your shoulder…

…what horror movie monster/villain/creature would you be MOST terrified to see coming up behind you?

..

Sadako

Coming in a close second would be The Chatterer (Cenobite) 


If we could include video games then it would have to be Alma Wade

gailsimone:

contagiouscostuming:

The White Queen vs the Friends of Humanity…
(Photo by Pat Loika, Made and modeled by me!)

Jeez, what an amazing shot and cosplay!

gailsimone:

contagiouscostuming:

The White Queen vs the Friends of Humanity…

(Photo by Pat Loika, Made and modeled by me!)

Jeez, what an amazing shot and cosplay!

gailsimone:

greg-pak:

Gene Yang is one of my heroes. Read this, y’all.
weneeddiversebooks:

Read This: Gene Luen Yang’s rousing comics speech at the 2014 National Book Festival gala
From the Washington Post, article here.
GENE LUEN YANG, Library of Congress, Jefferson Building:
Good evening. Thank you, Library of Congress and National Book Festival, for inviting me to share the stage with such esteemed authors, and to speak with all of you. I am deeply grateful for this honor.
I’m a comic-book guy, so tonight I’d like to talk about another comic book guy. Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African-Americans working in American comics. Dwayne worked primarily within the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like “Justice League” and “Ben 10.”
Dwayne McDuffie
Dwayne McDuffie is no longer with us, unfortunately. He passed away in 2011, at the age of 49. But within comics, his influence is still deeply felt.
I was lucky enough to have met him once. About a year before his death, we were on a panel together at Comic-Con. I had the opportunity to shake his hand and tell him how much his work meant to me.
In a column Dwayne wrote in 1999, he talked about his love of the Black Panther, a Marvel Comics character. The Black Panther’s secret alias is T’Challa, the king of the fictional African nation of Wakanda. He has super senses, super strength, and super agility. He’s an Avenger, though he hasn’t yet made it into the movies.
The Black Panther wasn’t created by African American cartoonists. He was created in July of 1966 by two Jewish Americans, Stan Lee (who was born Stanley Lieber) and Jack Kirby (who was born Jacob Kurtzberg).
By modern standards, the Black Panther is not a flawless example of a black superhero. In their first draft of the character, Lee and Kirby called him “the Coal Tiger” and gave him a goofy yellow and black costume. Even in his final form, his superhero alias includes the word “Black.” This is true of many early African and African American superheroes, as if what makes them remarkable is neither their superpowers nor their heroism, but their ethnicity. Most problematic, though, was that Marvel made their most prominent black superhero the star of a series called Jungle Action.
All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”
Dwayne’s love of the Black Panther eventually blossomed into a love of comics in general. Dwayne was a smart guy with a lot of options in life. He’d earned a master’s degree in physics. But he chose to write comics as his career. I would argue that without the Black Panther, this flawed black character created by a writer and an artist who were not black, there would be no Dwayne McDuffie the comic book writer.
Dwayne wasn’t just a writer — he was also a businessman. In the early ’90s, he teamed with a group of writers and artists to found Milestone Media, the most prominent minority-owned comic book company that has ever existed. The Milestone universe have since been folded into DC Comics, so these days characters like Static Shock and Icon – characters Dwayne co-created – fight crime alongside Superman and Batman.
In the early ’90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called Xombi, published by Milestone Media. Xombi is a scientist who became a superhero after he was injected with nanotechnology. He allied himself with a secret order of superpowered nuns. One sister was known as Nun of the Above, another Nun the Less. Together, they protected the world from all kinds of supernatural threats.
Xombi was inventive and fun, but he stood out to me because he was an Asian American male carrying in his own monthly title. And even more notable – he didn’t know Kung Fu. Xombi wasn’t created by Asian Americans – his writer was white and his artist black – but he did make Asian Americans a little less invisible.
We in the book community are in the middle of a sustained conversation about diversity. We talk about our need for diverse books with diverse characters written by diverse writers. I wholeheartedly agree.
But I have noticed an undercurrent of fear in many of our discussions. We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say.
This fear can be a good thing if it drives us to do our homework, to be meticulous in our cultural research. But this fear crosses the line when we become so intimidated that we quietly make choices against stepping out of our own identities. After all, our job as writers is to step out of ourselves, and to encourage our readers to do the same.
I told you the story of Dwayne McDuffie to encourage all of us to be generous with ourselves and with one another. The Black Panther, despite his flaws, was able to inspire a young African American reader to become a writer.
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it’s okay to get cultural details wrong in your first draft. It’s okay if stereotypes emerge. It just means that your experience is limited, that you’re human.
Just make sure you iron them out before the final draft. Make sure you do your homework. Make sure your early readers include people who are a part of the culture you’re writing about. Make sure your editor has the insider knowledge to help you out. If they don’t, consider hiring a freelance editor who does.
Also, it’s okay if stereotypes emerge in the first drafts of your colleagues. Correct them – definitely correct them – but do so in a spirit of generosity. Remember how soul-wrenching the act of writing is, how much courage it took for that writer to put words down on a page.
And let’s say you do your best. You put in all the effort you can. But then when your book comes out, the Internet gets angry. You slowly realize that, for once, the Internet might be right. You made a cultural misstep. If this happens, take comfort in the fact that even flawed characters can inspire. Apologize if necessary, resolve do better, and move on.
Let your fear drive you to do your homework. But no matter what, don’t ever let your fear stop you.


Two of the all-time best. 

gailsimone:

greg-pak:

Gene Yang is one of my heroes. Read this, y’all.

weneeddiversebooks:

Read This: Gene Luen Yang’s rousing comics speech at the 2014 National Book Festival gala

From the Washington Post, article here.

GENE LUEN YANG, Library of Congress, Jefferson Building:

Good evening. Thank you, Library of Congress and National Book Festival, for inviting me to share the stage with such esteemed authors, and to speak with all of you. I am deeply grateful for this honor.

I’m a comic-book guy, so tonight I’d like to talk about another comic book guy. Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African-Americans working in American comics. Dwayne worked primarily within the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like “Justice League” and “Ben 10.”

Dwayne McDuffie is no longer with us, unfortunately. He passed away in 2011, at the age of 49. But within comics, his influence is still deeply felt.

I was lucky enough to have met him once. About a year before his death, we were on a panel together at Comic-Con. I had the opportunity to shake his hand and tell him how much his work meant to me.

In a column Dwayne wrote in 1999, he talked about his love of the Black Panther, a Marvel Comics character. The Black Panther’s secret alias is T’Challa, the king of the fictional African nation of Wakanda. He has super senses, super strength, and super agility. He’s an Avenger, though he hasn’t yet made it into the movies.

The Black Panther wasn’t created by African American cartoonists. He was created in July of 1966 by two Jewish Americans, Stan Lee (who was born Stanley Lieber) and Jack Kirby (who was born Jacob Kurtzberg).

By modern standards, the Black Panther is not a flawless example of a black superhero. In their first draft of the character, Lee and Kirby called him “the Coal Tiger” and gave him a goofy yellow and black costume. Even in his final form, his superhero alias includes the word “Black.” This is true of many early African and African American superheroes, as if what makes them remarkable is neither their superpowers nor their heroism, but their ethnicity. Most problematic, though, was that Marvel made their most prominent black superhero the star of a series called Jungle Action.

All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”

Dwayne’s love of the Black Panther eventually blossomed into a love of comics in general. Dwayne was a smart guy with a lot of options in life. He’d earned a master’s degree in physics. But he chose to write comics as his career. I would argue that without the Black Panther, this flawed black character created by a writer and an artist who were not black, there would be no Dwayne McDuffie the comic book writer.

Dwayne wasn’t just a writer — he was also a businessman. In the early ’90s, he teamed with a group of writers and artists to found Milestone Media, the most prominent minority-owned comic book company that has ever existed. The Milestone universe have since been folded into DC Comics, so these days characters like Static Shock and Icon – characters Dwayne co-created – fight crime alongside Superman and Batman.

In the early ’90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called Xombi, published by Milestone Media. Xombi is a scientist who became a superhero after he was injected with nanotechnology. He allied himself with a secret order of superpowered nuns. One sister was known as Nun of the Above, another Nun the Less. Together, they protected the world from all kinds of supernatural threats.

Xombi was inventive and fun, but he stood out to me because he was an Asian American male carrying in his own monthly title. And even more notable – he didn’t know Kung Fu. Xombi wasn’t created by Asian Americans – his writer was white and his artist black – but he did make Asian Americans a little less invisible.

We in the book community are in the middle of a sustained conversation about diversity. We talk about our need for diverse books with diverse characters written by diverse writers. I wholeheartedly agree.

But I have noticed an undercurrent of fear in many of our discussions. We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say.

This fear can be a good thing if it drives us to do our homework, to be meticulous in our cultural research. But this fear crosses the line when we become so intimidated that we quietly make choices against stepping out of our own identities.
After all, our job as writers is to step out of ourselves, and to encourage our readers to do the same.

I told you the story of Dwayne McDuffie to encourage all of us to be generous with ourselves and with one another. The Black Panther, despite his flaws, was able to inspire a young African American reader to become a writer.

We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it’s okay to get cultural details wrong in your first draft. It’s okay if stereotypes emerge. It just means that your experience is limited, that you’re human.

Just make sure you iron them out before the final draft. Make sure you do your homework. Make sure your early readers include people who are a part of the culture you’re writing about. Make sure your editor has the insider knowledge to help you out. If they don’t, consider hiring a freelance editor who does.

Also, it’s okay if stereotypes emerge in the first drafts of your colleagues. Correct them – definitely correct them – but do so in a spirit of generosity. Remember how soul-wrenching the act of writing is, how much courage it took for that writer to put words down on a page.

And let’s say you do your best. You put in all the effort you can. But then when your book comes out, the Internet gets angry. You slowly realize that, for once, the Internet might be right. You made a cultural misstep. If this happens, take comfort in the fact that even flawed characters can inspire. Apologize if necessary, resolve do better, and move on.

Let your fear drive you to do your homework. But no matter what, don’t ever let your fear stop you.

Two of the all-time best. 

thepopetti:

BFF’s in disguise!

assbutt-in-the-garrison:

these two are gonna kill me

mspaintadventuring:

i want there to be a really awesome rebellious “strong and silent” anime character and later it is revealed that it’s not that they’re mysterious or cool tHEY JUST DON’T SPEAK A WORD OF JAPANESE AND THEY HAVE LITERALLY NO IDEA WHAT ANYONE IS SAYING

vintar:

jessicalprice:

Games.On.Net does what I wish more companies would do: deals in common sense and reality and stops treating people who are threatened by equality as if they have a valid argument.

just gonna drop a link to the whole thing because it’s great

vintar:

jessicalprice:

Games.On.Net does what I wish more companies would do: deals in common sense and reality and stops treating people who are threatened by equality as if they have a valid argument.

just gonna drop a link to the whole thing because it’s great

fozmeadows:

tonystarklordofwinterfell:

So, I was at lunch with a friend and his sister after seeing ‘Guardians of the Galaxy’, catching up on stuff and talk turned to the new series of Doctor Who - our expectations, Peter Capaldi, Jenna possibly leaving, the Matt Smith era - and his sister suddenly raises an interesting point.

"Isn’t the Matt Smith era kind of similar to Twilight?"

This caused both my friend and I to pause, and look at each other with a similar expression of puzzlement.

"Yeah - I mean the storyline is very similar," she continued "The main female character has to choose between two men from different races, makes her choice and has baby. Baby grows up abnormally fast, and ends up marrying the other man."

Despite how this theory glosses over some of the plot, it still kind of stunned me as I realisation slowly dawned on me.

I had watched a sci-fi variant of Twilight.

OH MY ACTUAL GOD

thepeacefulknight:

full-autopsy:

thepeacefulknight:

full-autopsy:

full-autopsy:

I freaking love this panel because holy frag, Wing… how strong ARE YOU?!
Though now that I think about it, this does present a magnificent opportunity for an “I trust him as far as I can throw him” joke somewhere.
(And Drift’s adorable little surprise lines. “but you’re tiny HOW DID YOU EVEN…?!!?!”)

#wife-throwing competition

A NEW CHALLENGER APPEARS

I think Wing wins (WOW try typing that five times fast) this one though…

Peanut oh my go d

WAIT WAIT I GOT ONE I GOT ONE


PEANUT

thepeacefulknight:

full-autopsy:

thepeacefulknight:

full-autopsy:

full-autopsy:

I freaking love this panel because holy frag, Wing… how strong ARE YOU?!

Though now that I think about it, this does present a magnificent opportunity for an “I trust him as far as I can throw him” joke somewhere.

(And Drift’s adorable little surprise lines. “but you’re tiny HOW DID YOU EVEN…?!!?!”)

#wife-throwing competition

A NEW CHALLENGER APPEARS

I think Wing wins (WOW try typing that five times fast) this one though…

Peanut oh my go d

WAIT WAIT I GOT ONE I GOT ONE

PEANUT

the-super-scout:

helioscentrifuge:

runtime-err0r:

itsvondell:

you can take one man’s trash to another man’s treasure but you can’t make it drink

Fun fact: the blending of idioms or cliches is called a malaphor.

My personal favorite is “We’ll burn that bridge when we get to it.”

I looked it up b/c that was a very familiar idiom and how could it be wrong but then

image

yeah wow that’s spot on perfect

my catchphrase

lollipvps:

But you have to understand that when both my cousin and I came out as bisexual to our great-aunt, she told us we were too young to label ourselves.

You have to understand that both of my brothers are gay and came out to her before the ages of 15. She had absolutely no problem.

My great-aunt is a 69 year old lesbian.

You have to understand that not every aspect of biphobia has to do with homophobia.

spookyboohellspawn:

mi-shellvp:

estasfuera:

“A little bit of Monica in my life,A little bit of Erica by my side,A little bit of Rita is all I need,A little bit of Tina is what I see,A little bit of Sandra in the sun,A little bit of Mary all night long,A little bit of Jessica, here I am…”

If you don’t know this reference, you’re definitely too young for me. 

^^^

spookyboohellspawn:

mi-shellvp:

estasfuera:

“A little bit of Monica in my life,
A little bit of Erica by my side,
A little bit of Rita is all I need,
A little bit of Tina is what I see,
A little bit of Sandra in the sun,
A little bit of Mary all night long,
A little bit of Jessica, here I am…”

If you don’t know this reference, you’re definitely too young for me. 

^^^

What’s Spideypool you ask?

whatareyouevendoingrightnow:

Oh I’m sorry

image

i couldn’t hear you at first

image

over the sound

image

of one of the greatest ships

image

of all friggin time.

image

klumzmonkey